melodrama

Your Tweet of the Day: McCabe Memos

#DimensionTrump | #WhatTheyVotedFor

This is the thing about melodrama and hyperbole:

Republican source to me just now: “The McCabe Memos are the new Pentagon Papers.” #MuellerTime

Joy Reid

For all the times Republicans bawled about the Obama administration as a Watergate-valence scandal, it is easy enough to be wary of an invocation so spectacular as the Pentagon Papers. Nonetheless, we might recall that melodrama and hyperbole are precisely #WhatTheyVotedFor, even if it hurts who they voted for.

And this does not begin to account for the long Republican habit of challenging thresholds, because the hard part about explaining that is found in the aspect of what is appropriate or not to speculate, project, conclude, or otherwise say about our neighbors.

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What They Vote For (Yellowhammer Special)

#supremacism | #WhatTheyVotedFor

Lebanon's memories: Pictures of Lebanon's family, in happier days. (Detail of frame from Darker Than Black: Gemini of the Meteor, episode 5, "Gunsmoke Blows, Life Flows...")

This is the sort of thing only voters can achieve:

Rep. Mo Brooks is moving on after a distant third-place finish in the Republican primary on Tuesday for the Alabama Senate special election.

And Brooks is doing that without endorsing either of the two men, Judge Roy Moore and appointed Sen. Luther Strange, who beat him to enter a runoff on Sept. 26 to decide the GOP nominee.

(Connolly)

More precisely: After rejecting Rep. Mo Brooks to replace Attorney General and former U.S. Senator Jeff Sessions, voters find themselves presented with a choice between the disgraceful Luther Strange and the disgraced Roy Moore, and history reminds that state voters have already re-elected the twice-disgraced former Chief Justice of the Alabama Supreme Court after his first tumble from grace for abuse of authority. What chance does Luther Strange have? All he ever did was take his dispute against human rights, on behalf of religious supremacism, to the Supreme Court and lose.

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The Donald Trump Show (Death Wish Double Trouble Super Fun Follow-Up Sequel Pak)

Brook, the jolly Humming Pirate who also happens to be a skeleton with an afro. (Detail of frame from 'Shonen Jump One Piece'.)

“He’s a death’s-head jester cackling on the edge of the void, the clownish host of one last celebration of America’s bombast, bigotry and spectacular ignorance.”

Andrew O’Hehir

Sometimes the setup requires a bit of seemingly otherwise useless melodrama; and sometimes that seemingly otherwise useless melodrama―your buzzword for the week is, well, okay, two words: “October surprise”―works well enough to address certain otherwise seemingly obvious questions somehow obscured by a hazy addiction to synthesized melodrama. Or, more to the point:

We can’t be sure how many people really support Trump, [Thomas B.] Edsall reports, since there’s considerable evidence that they aren’t telling pollsters the truth. Voting for Trump, it appears, is something white people do in the shadows. It’s a forbidden desire that is both liberating and self-destructive, not unlike the married heterosexual who has a same-sex lover on the down-low, or the executive who powers through the day on crystal meth and OxyContin. Donald Trump speaks during the 2016 Republican Jewish Coalition Presidential Candidates Forum (Saul Loeb/AFP/Getty Images)On some level you know the whole thing can’t end well, but boy does it feel good right now.

I have argued on multiple occasions that white Americans, considered in the aggregate, exhibit signs of an unconscious or semi-conscious death wish. I mean that both in the Freudian sense of a longing for release that is both erotic and self-destructive―the intermingling of Eros and Thanatos―and in a more straightforward sense. Consider the prevalence of guns in American society, the epidemic rates of suicide and obesity (which might be called slow-motion suicide) among low-income whites, the widespread willingness to ignore or deny climate science and the deeply rooted tendency of the white working class to vote against its own interests and empower those who have impoverished it. What other term can encompass all that?

Trump is the living embodiment of that contradictory desire for redemption and destruction. His incoherent speeches wander back and forth between those two poles, from infantile fantasies about forcing Mexico to build an $8 billion wall and rampant anti-Muslim paranoia to unfocused panegyrics about how “great” we will be one day and how much we will “win.” In his abundant vigor and ebullience and cloddish, mean-spirited good humor, Trump may seem like the opposite of the death wish. (He would certainly be insulted by any such suggestion. Wrong! Bad!) But everything he promises is impossible, and his supporters are not quite dumb enough not to see that. He’s a death’s-head jester cackling on the edge of the void, the clownish host of one last celebration of America’s bombast, bigotry and spectacular ignorance. No wonder his voters are reluctant to ‘fess up.

(O’Hehir)

Nor is this a matter of making the obvious point; with Americans, it’s all in how you say it.

I mean, sure, we can all see it, but explaining the mess is a whole ‘nother thing.

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Image notes: Top ― Brook, the jolly Humming Pirate. (Detail of frame from Shonen Jump One Piece.) Right ― Donald Trump speaks during the 2016 Republican Jewish Coalition Presidential Candidates Forum (Saul Loeb/AFP/Getty Images).

O’Hehir, Andrew. “Appetite for destruction: White America’s death wish is the source of Trump’s hidden support”. Salon. 11 May 2016.